Joshua Andree’s Ethereal Landscape Exhibition in Nipaluna

An exhibition of new works at Despard Gallery, Tasmania

A man sitting on a stool in an artist's studio, with two large paintings of a cloudy sky in the background. He is wearing a dark blue shirt and black pants, and there are art supplies on a wooden cart next to him.

In his second solo exhibition with Despard Gallery, Andree presents a new series of his ethereal landscape paintings, each delicately executed through subtle brush strokes, soft gradients and low-key palette. Through multiple layers of transparent glazes, each painting captures the hazy threshold where the sky, land and water converge, using the natural fluidity of paint to reflect the connecting flow between atmosphere and water.  

With an intuitive and minimal approach to painting that almost slips into abstraction, each composition providing space for deeper reflection. As such, Andree shifts emphasis away from how the landscape looks, to how light and weather can shape its experience Overall, Andree reveals how the landscape and painting are not isolated concerns but are in fact closely aligned in helping to guide personal understanding.  As such, Andree invites us to become part this unique dialogue with the landscape, each composition born from a place of deep respect, care and quiet optimism.

A serene landscape painting featuring soft pastel colours of blue and pink, depicting calm water reflecting the sky and distant mountains under a gentle cloud cover.
A serene abstract landscape featuring soft hues of blue and pink, depicting a calm body of water with gentle ripples and a pastel sky at dawn.

The river itself exists as a living archive and I remain inherently aware that it is a place where forgotten histories and present moments exist simultaneously beneath the same changing light. As such, these paintings seek to use memory and observation as tools to articulate the psychological weight of this place. In this body of new paintings based on timtumili minanya / River Derwent, the waterway is treated not merely as a geographic subject, but as a site where multiple histories converge at once and a proposition for the future. – Joshua Andree

Joshua Andree is an early career artist living and working in Nipaluna/Hobart.  Since graduating from the University of Tasmania in 2015, Andree has participated in group and solo exhibitions nationally. He has been selected as a finalist in numerous art prizes, including the RACT portrait Prize (2015 & 2019), the Henry Jones Art Prize (2018 & 2023), the Glover Prize (2021) and TIDAL (2022).  In 2023, Andree was selected as a finalist in the prestigious Hadley’s Art Prize receiving both an honourable mention, as well as being awarded the Packing Room Prize and the Peoples’ Choice. Andree’s paintings are held in private collections both nationally and internationally.  

Exhibition open to view in person and in full online from Wednesday 23 September

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As the Publisher, Editor, and Administrator of Q Magazine for over 21 years, I have been dedicated to promoting LGBTIQA+ lifestyles through an innovative digital platform. Our monthly publication, the only one of its kind in Australia, serves as a vital resource for the community, combining engaging content with cutting-edge technologies like 3D digital formats and online accessibility. My expertise in desktop publishing, social media, and event planning has contributed to Q Magazine's growth as a trusted voice in the LGBTIQA+ space. With a strong focus on inclusivity and authenticity, I am committed to supporting the community and offering competitive advertising solutions to help businesses genuinely connect with our audience.

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